fourteenth work from my collection NEO.BRUTALISM.
I move away from the landscape. I strip away the context and isolate architecture from its historical and geographical framework, thus eliminating the narrative that justifies and explains it. The historic reading of constructions disappears, all that’s left is its contemporary degradation. Any associated ideologies vanish. What remains is the confirmation that the programmes of integrity and hopeful honesty that sparked them have become rubble. Spectres of a past which contained ideals for the future.
2020, Royan.
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