“The dissolution of firm, plastic and linear form into something moving and incapable of being grasped; the obliteration of frontiers and contours, to arouse the impression of the unlimited, the immeasurable and the infinite; the transformation of static, rigid, objective being into a becoming, a function, an interdependence between the subject and the object.“ “Impossible Sculptures no. 26” is a work that features all these attributes. Static figures are perched on a mountainous surface and the movement is given by thin particles that rise upwards, recalling hell as represented in "The Damned Being Cast into Hell" (1605-1610) by the Flemish Baroque painter Frans Francken the Younger. The ch...