When I was asked to interpret one of Alma Thomas' seminal works, *Resurrection*, I was overjoyed by the opportunity. Alma found delight in the sway of a leaf blown in the breeze, in the changing hues of a tree from one season to the next, in the quiet contemplation of nature's course. Serendipitously, over the last few months, nature has been at the core of my practice, by way of artificial intelligence.
It all started last year when I decided to train my first GAN model with a database of my works - hand-painted acrylic abstract vignettes. I needed something to meditate on while creating the necessary volume of work to properly train the GAN; in my case, 2000 paintings. What better than na...