This work became a bit famous, and is by far my most successful to date. It featured on the cover of Piauí Magazine's May 2012 issue, which is sort of their version of the New Yorker, but only corrupt Brazilian politicians actually read it.
It then gained traction in China and South Korea. It peaked when it ranked ahead of Bitcoin in South Korea's Gentleman Magazine in a hot new list for 2012. (I was mining Bitcoin then, and this made me laugh out loud when I saw the rank.) It sold thousands of prints, and was counterfeited widely by rogue manufacturers by being adorned on random low quality products.
This work weirdly brought everyone in the world together, and for that I am proud. Chine...