My work explores the relationship between emerging sexualities and football chants. With influences as diverse as Camus and Buckminster Fuller, new tensions are synthesised from both orderly and random textures.
Ever since I was a child I have been fascinated by the theoretical limits of relationships. What starts out as contemplation soon becomes corrupted into a cacophony of lust, leaving only a sense of decadence and the possibility of a new understanding.
As wavering replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the inaccuracies of our era.