A-DM-150221 is part of a series of creations that confront notions of satisfaction and peace of mind.
Seemingly balanced and harmonious compositions (when seen from afar) show signs of 'natural imperfections' caused by the machine.
Spontaneous imperfections and minimal misalignments bring the spectator in, while pixelization prevents one from entirely appropriating these elements.
These works have no definite size, as the viewer must constantly alternate the distance it takes from and size it gives to the work, zooming in or out, or even leaving sections out of sight.
Where does the viewer's eye go? Where does it stop, or want to focus? And why? What creates a sense of 'satisfaction' to th...