Within the frames of Crewdson’s body of work, An Eclipse of Moths (2018-19), we encounter the artist’s fascination with the idea of a haunted American landscape. Set in post-industrial small-town America, An Eclipse of Moths tours viewers through the quiet wreckage of rusted and downtrodden working-class environments. More than his previous work, feelings of emptiness pervade these pictures as the visual space depicts broad expanses of asphalt and concrete that appear neglected and forgotten. While Crewdson often uses human gesture to convey the deep-rooted anxieties that appear throughout his oeuvre, here the landscapes themselves become the subjects while their occupants perform as part of...