風景 #34

attributes loosely reflect terms used in samples’ prompts, serving as a metaphor for ideas being the very ‘painterly’ material of a ‘post conceptual’ approach to representation. the layering/(re)editing of such ‘states of mind’ becomes the inquiry field for a kind of self-reflective intertwining, opening to a research centering on the actual issue of readability of the space and the time, and the other way around, the context readability’s degree becomes a behavioral core of the creative process | 2022