Big Red is the first in a series called The Red Paintings, a set of three monumental 3D animations for projection. Expanding on early twentieth-century still-life painting from the School of Paris, I was inspired by the significant collection of the Art Institute of Chicago and my work there with School of the Art Institute of Chicago media art students, in dialog with both the canonical Art Institute still-lives and its Chair of 19th and 20th Century Painting and Sculpture, the art historian Gloria Groom.
In the context of our post-digital moment, I used the compositional structures of the red paintings by Henri Matisse to propose a paradigm shift in painting practice, creating monumenta...