For the past 30 years, Sally Davies has been documenting the streets of Manhattan. She’s watched neighborhoods negotiate with gentrification, post-9/11 anxiety, economic uncertainty, and a steady stream of “if I can make it there, I’ll make it anywhere” optimism. Davies has taken memorable photographs of ordinary doorways, wet curbs and corners, the glow of bar-grill signs, bodegas, bakery windows, wheelchairs on rooftops, incoming weather, graffiti, and vintage cars. As she has said, “You either fall in love with moonlight on a garbage bag or you hate it and move along.”*
Davies started the New Yorkers by shifting from her usual view of the urban outdoors to the idea of chronicling the spa...