In No Feeling is Final, I confront collective and personal loss in the face of a global pandemic through a series of handmade, cameraless photograms. This work began as an experiment in how to make photographic art while at home with two small children during the early months of the pandemic. It grew into a 44ft installation at SFMOMA in the 2021 exhibition “Close to Home” curated by Corey Keller. Now, it has evolved into my first NFT collection. Each photogram was created by saturating rag paper with fugitive inks, then exposing it to direct sunlight for weeks on the roof of my San Francisco apartment. With these unlikely materials, I document the passage of time during a shared experience ...