On the reproduction of this picture in Tamuna Sirbiladze's publication "Titles" at Onestar Press (Paris, 2014) the name of a season appears in Tamuna’s handwriting: Autumn. The painting (from 2006) is limited to red tones, the lines seem to be simply flung down, the forms coincidental: two shadowy seated figures in the foreground—facing each other?—the one on the left thanks to a fortuitous blank space a delicate, if very small face in profile. And do its upper projections not resemble the ears of a lynx? In the background on the right is a standing figure—pissing?—and the tangle of lines behind or beside it could be interpreted as the suggestion of a tree. A small, perforated heart floats a...