How can one create a work inspired by a city where one has never set foot? Moreover, a place on the other side of the world, whose history and cultural richness are of such dizzying density? I quickly realized that my work could only be imagined, dreamed, imbued with my Western culture, tinged with my distant prejudices. I worked with a visual approach above all, around a few chosen colors, representative tree species, and some clichéd symbols: for example, the composition is organized around 3 abstract shapes, including the circle, directly inspired by the rising sun on the flag, the rectangular shape of a kakemono, or a cityscape.
My distant feeling, entirely subjective, towards the city o...