Heinrich Heidersberger’s rhythmograms explore the language of abstract
formal structure in photography, with an intersection between geometry,
technology, and perception. During the 1950s and 1960s, Heinrich
Heidersberger created complex patterns that captured the invisible and
fleeting of time and movement in singular image fields.
Almost like an orchestra in motion that composes and traces the light onto
the photographic plate through time and space. Heinrich Heidersberger
developed a completely analog media art from this approach, which could
hardly be created with digital means. The works seem part photography,
parts sculpture, and parts architecture; they evoke a concrete sensibility
th...
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